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They toss a ball back and forth and dream of fleeing their small town to visit California, promising they’ll be “friends to the end,” and it’s the kind of intense bond best pals share when they’re tweens, before puberty hits and girls become a distraction.
But no single element of this movie can account for why it congeals into something more than a cute concept done well. There’s a rare alchemy at work here, a specific magic that sparks when Stephen Warbeck’s rollicking score falls like pillow feathers over the sight of a goateed Ben Affleck stage-fighting in the Globe (“Gentlemen upstage, ladies downstage…”), or when Colin Firth essentially soils himself over Queen Judi Dench, or when Viola declares that she’s discovered “a new world” just a couple of short days before she’s pressured to depart for another one particular.
star Christopher Plummer gained an Oscar for his performance in this moving drama about a widowed father who finds love again after coming out in his 70s.
Queen Latifah plays legendary blues singer Bessie Smith in this Dee Rees-directed film about how she went from a battling young singer to the Empress of Blues. Latifah delivers a great performance, as well as the film is full of amazing music. When it aired, it was the most watched HBO film of all time.
Nevertheless the debut feature from the producing-directing duo of David Charbonier and Justin Powell is so skillful, exact and well-acted that you’ll want to give the film a chance and stick with it, even through some deeply uncomfortable moments. And there are quite some of them.
For all of its sensorial timelessness, “The Girl around the Bridge” could possibly be much too drunk By itself fantasies — male or otherwise — to shimmer as strongly today as it did from the summer of 1999, but Leconte’s faith during the ecstasy of filmmaking lingers all the same (see: the orgasmic rehearsal sequence set to Marianne Faithfull’s “Who Will Take My Dreams Away,” proof that all you need to make a movie is actually a girl as well as a knife).
The movie is actually a silent meditation over the loneliness of being gay in the pornography videos repressed, rural society that, though not as high-profile as Brokeback Mountain,
Davis renders interval piece scenes like a Oscar Micheaux-encouraged black-and-white silent film replete with inclusive intertitles and archival photographs. One particular particularly heart-warming scene finds Arthur and Malindy seeking refuge by watching a movie in the theater. It’s quick, but exudes Black joy by granting a rare historical nod recognizing how Black people of your past experienced more than crushing hardships.
As with all of Lynch’s work, the progression in the director’s pet themes and aesthetic obsessions is clear desi in “Lost Highway.” The film’s discombobulating Möbius strip construction builds within the dimension-hopping time loops of “Twin Peaks: Fire Walk With Me,” while its descent into L.
The film ends with a haunting repetition of names, all former lovers and friends of Jarman’s who died of AIDS. This haunting elegy is meditation on ailment, silence, as well as the void will be the closest film has ever come to representing Dying. —JD
” It’s a nihilistic schtick that he’s played up in interviews, in episodes of “The Simpsons,” and most of all in great dangler sucking skills of brunette mariana pink his own films.
Drifting around Vienna over a single night — the pair meet over a train and must part ways come morning — Jesse and Celine engage inside of a number of free-flowing exchanges as moriah mills they wander the city’s streets.
Rivette was the most narratively elusive with the French filmmakers who rose up with The brand new Wave. He played with time and long-sort johnny sins storytelling while in the thirteen-hour “Out 1: Noli me tangere” and showed his extraordinary affinity for women’s stories in “Celine and Julie Go Boating,” one of several most purely fun movies of the ‘70s. An affinity for conspiracy, of detecting some mysterious plot from the margins, suffuses his work.
As handsome and charming as George Clooney is, it’s hard to assume he would have been the star He's today if Soderbergh hadn’t unlocked the full depth of his persona with this role.